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Giulia Sagramola's avatar

Hi! I really appreciate this pep talk and I don't want to be dismissive, but I can't fully agree with the message that there's loads of work right now, and it's just a matter of finding it. I've been working for 14 years as a full-time illustrator (in various areas), I had good years and less good ones, but nothing has been challenging and weird as much as this one and the past. It seems like there's been a big drought in big projects, editorial illustration is in complete decline, while in the publishing industry there's very low advance and often publishers are not even sharing royalties anymore. I've talked about it with loads of colleagues during these past months (mostly from Europe and some from the US), and 99% of them they are in my same situation. I've literally spoked to people to who their illustration agent told them that they know there's less work right now, and that they have to try to hold tight. They explain this low in jobs with various reasons, I think Michael Driver made recently a good recap on his YouTube explaining similar thoughts. I totally agree with you that all these things you're suggesting are things we can work on. But it's undeniable that this year has been terrible for many illustrators and that over the past years clients want to pay less and less. And they can because compared to even just 5-10 years ago, there are many more illustrators that will supply their needs. I'm sure investing in marketing and improvement is always important, but I wouldn't give the responsibility fully to the illustrator, if they don't have work. Sorry if I'm sounding too pessimistic, it's just my experience. Btw, I love what you do with the Good Ship and it's always interesting to hear your prospective on things.

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Becca Leisen's avatar

This is exactly what I need to hear! I was in the business course last round so I need to pop back in for this round and learn even more!

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